Carpenters workshop gallery in London is exhibiting Vortex, a collection of Vincent Dubourg art furniture from 17 May until 24 August.
This is the third solo show by French artist Vincent Dubourg at the design gallery.
Dubourg has been represented by Carpenters Workshop Gallery since its inception in 2004, he was the youngest designer to present his work at the gallery. Featuring pieces made this past ten years, Vortex explores Dubourg’s deconstructivism spirit and examines works that speak of materiality and craftsmanship.
See past exhibitions at Vincent Dubourg exhibition at Carpenters Workshop Gallery
For this exhibition, four new pieces alongside some other emblematic metalwork restore a dialogue between sculpture and design. With Inner Vortex buffet Dubourg bends metal and deforms it as he has done with wood. He is using the lightness of aluminium, a material that lends itself to fusion, molding and casting. Sourcing influence from the natural world, Dubourg, like a blacksmith, draws on fire, air and water to shape his sculptural furniture. The explosive nature of his work recreates forces in motion. An appearance in contrast to the mirror-finished interior surfaces.
“A vortex whirls in a circular motion, it forms a vacuum, and embodies subjects to its action. In water, it swirls but what happens beneath the water’s surface is hidden until it resurfaces elsewhere. If it explodes then it reconstructs, and what is absorbed into it is taken to another place. The idea behind Vortex is to take society, engulf it in a vortex and take it to a new planet and other ways of living” explained Vincent Dubourg.
This movement that feels almost gestural conveys a plastic expression to his body of work like in the Insideer cabinet or in the Door II shelf where the elements splay and curl from the central line, altering the visual framework. The function itself is often distilled and disintegrated within the work.
Dubourg constantly deals with form and metamorphosis. He transforms the most familiar objects into works, giving them an immaterial dimension. The paradoxical deconstruction of his objects reflects its sense of construction and the excellence of its know-how, from metal work to cabinetmaking and glass blowing.