Evren Erol is a Turkish artist dedicated to inspire art lovers trough his contemporary sculptures inspired by the transformation of things.
Evren Erol born in İstanbul in 1977 is graduated from Yıldız Technical University, the Department of Serigraph in 1998 and from the Faculty of Fine Arts Sculpture Department in Marmara University in 2003. At the point being able to develop alternative methods to the existing reality, the art is seen as an expressing and questioning language creating a freedom space to the artist. The thoughts and the concepts shaping his statues and his own existence according to the conditions are described as the reflection of the change in subconscious. It produces within the framework of basic metaphors like the concepts of change, transformation, contrast, rejection and acceptance.
His focus is sculptures in the context of basic metaphors such as change, transformation, contrast, rejection and acceptance context.
“The universe Erol is close to the sound field, where the meaning is mute, where the entity is anonymous. It embraces its negative presence, without filling the void like the sound that echoes in a valley. Not only the nubs and protrusions, but the painted paint that the wood carries like a mask, the glittering of the surface, the parts that are added to the exhibition space and do not sit on the body, It is a very successful narrative because you can see that in spite of all material, texture, color, brightness contrasts, unity in work, intertwining with each other, becoming one piece. Like meat and blood …
While the wood furnishes a smooth texture with plenty of texture, the contrast it creates with another material with smoothness from the factory gives the interior-exterior relationship, the feelings of the body, a realistic expression that can not be abstracted. Some of the staples he used in his work, such as the interruption of the artist’s own moments, the momentary stopping, and the impressive details.
Evren Erol said in the exhibition videos, “Contemporary Art has indeed proven itself to be interdisciplinary today.”
Oguz Erten is optimistic that there is no negative, hopefulness despite the dark nominations such as “Prisoner, Violation, Invasion …” which investigates border experiences, presents possibilities of obedience and violation at the same time. The reason for the formation of this feeling is that the artist has stopped the moment as a “red line”, the interventions and the success of all the works on the show are works that create personal emotional variations.