Anish Kapoor is one of the most influential sculptors of his generation. Perhaps most famous for public sculptures and modern art pieces that are both adventures in form and feats of engineering, he manoeuvres between vastly different scales, across numerous series of work.
Immense PVC skins, stretched or deflated; concave or convex mirrors whose reflections attract and swallow the viewer; recesses carved in stone and pigmented so as to disappear: these voids and protrusions summon up deep-felt metaphysical polarities of presence and absence, concealment and revelation. Forms turn themselves inside out, womb-like, and materials are not painted but impregnated with colour, as if to negate the idea of an outer surface, inviting the viewer to the inner reaches of the imagination.
See also Art photography: Maïmouna Guerresi HERE!
Kapoor’s geometric forms from the early 1980s, for example, rise up from the floor and appear to be made of pure pigment, while the viscous, blood-red wax sculptures from the last ten years – kinetic and self-generating – ravage their own surfaces and explode the quiet of the gallery environment. There are resonances with mythologies of the ancient world – Indian, Egyptian, Greek and Roman – and with modern times, where 20th century events loom large.
Anish Kapoor was born in Mumbai, India in 1954 and lives and works in London. He studied at Hornsey College of Art, London, UK (1973–77) followed by postgraduate studies at Chelsea School of Art, London, UK (1977–78). He already exhibited worldwide sharing his imaginative artistic mind.
See also Hauser & Wirth presents “Memory Ware” exhibition HERE!